#Olympus camera retro look iso

It’s the first of the company’s Micro Four Thirds models to sport a dedicated exposure compensation dial, covering +/-3EV in 1/3EV steps. In terms of controls and handling, the PEN-F is something of a departure from recent Olympus designs. Unlike Olympus’s high-end OM-Ds, though, the PEN-F isn’t described as weathersealed. The camera’s retro credentials are reinforced by the power switch, which resembles a film rewind knob, and the shutter button, which is threaded for a good old-fashioned cable release. The body shell is predominantly aluminium, making it feel solid in your hands, and all the dials are milled rather than cast, giving a precision, tactile feel. When you pick up the PEN-F, you’ll find that the build quality reflects its premium price. The power switch resembles a 1950s film rewind knob

#Olympus camera retro look iso

It’s likely to be the same sensor as Panasonic uses in the GX8 and, if so, we can expect to see small but welcome improvements in overall image quality compared to Olympus’s previous models – not just in resolution, but also dynamic range and high ISO noise. It’s also the first Olympus Micro Four Thirds camera to feature a 20-million-pixel sensor, which does without an optical low-pass filter to maximise resolution. However, that’s not the PEN-F’s only point of interest. Meet the oh-so-pretty PEN-F: Olympus’s first flat-bodied compact system camera to include a built-in viewfinder. But with its latest mirrorless model it’s gone a step further, not only appropriating more of its predecessor’s 1950s design cues, but also its name. When Olympus launched its first Micro Four Thirds camera, the PEN E-P1 back in 2009, it made great play of its heritage harking back to the legendary PEN-F half-frame 35mm SLR. 50-million-pixel high-resolution composite mode.1.04-million-dot 3in fully articulated touchscreen.2.36-million-dot OLED EVF (0.62x magnification).The pretty, retro-styled PEN F will be available in silver, or all-black Olympus PEN-F at a glance: